Bandwidth


Performance
2021

In Collaboration with:

Lixiang/Daffodil Valentine
Zhaoqi Yu
Shuo

大英博物馆于1753年成立,此後的250年間,英國通过在海外殖民擴張收穫了大量文物,为大英博物馆提供了来自世界各地的丰富藏品。至今,大英博物馆已发展为世界上最大的博物馆之一,作为公共教育服务的机构,天真无辜的“反征服”修辞策略贯穿整个空间,但无处不在的“帝国之眼”时刻提醒着人们残酷的殖民历史。

本次展览是使用AR技术的虚拟展览。虚拟的生成本质有着在实际中实现的潜能,它不重要,但是真实。AR生成的过程会消耗现实世界的空间,和虚拟世界的带宽。在元宇宙走向反中心化的穷途末路时,列强间对于虚拟空间资源的争夺将进入白热化。本次展览意在帝国主义文化核心建立临时自治区进行文化生产,为可预见的未来封建主义保留一方净土。

The British Museum was founded in 1753, and over the next 250 years, Britain's colonial expansion abroad has yielded a wealth of artifacts from around the world. Today, the British Museum has grown to become one of the world's largest museums, serving as a public education service, with innocent 'anti-conquest' rhetorical strategies throughout the space, but with the ubiquitous 'eye of empire' as a constant reminder of the brutal colonial past. history.

This exhibition is a virtual exhibition using AR technology. The generative nature of the virtual has the potential to be realized in the real, it does not matter, but the real, the process of AR generation consumes the space of the real world and the bandwidth of the virtual world. As the metaverse heads towards the end of its anti-centralization, the competition for virtual space resources between the powers will go into overdrive. This exhibition intends to establish temporary autonomous regions for cultural production at the heart of imperialist culture, preserving a clean slate for the foreseeable future of feudalism.